GREETINGS PEOPLE, I HOPE YOU ARE GOOD A METAL EMBRACE FOR THIS DAY I BRING YOU ANOTHER JEWEL OF METAL SUDAKO.
VULCANO
In 1980, Brazilian Metal exploded along with Punk and New Wave. Some groups sang in Portuguese and many others in English to speak of Brazilian metal is to speak directly of Sepultura, Sarcofago, Korzus, however this day I will speak to you of the teachers of influential teachers for the already mentioned bands. the brass teachers, VULCANO.
An extreme metal scene started developing in Brazil, eventually including bands such as Vulcano as well as bands like Sepultura and Sarcophagus that became much better known internationally in the 1990s. However, unlike the development of extreme metal scenes in Europe and the United States, Brazil's extreme metal scene did not develop out of much of an existing metal scene, so musicians of early bands like Vulcano had to build a network to promote and support their live performances from scratch. It was also difficult to acquire standard performing equipment. [3]
It was in this environment that Zhema Paul Magrão, Carli Cooper formed Vulcano in 1981. Due to their early date of formation, Vulcano was one of the first black metal / death metal bands in all of Latin America. Their first record "Om Pushne Namah", was released in 1983, and is different from most early extreme metal in that the lyrics were sung in Portuguese, not English. The release of this album also marks the departure of Jose Piloni (drums) from the band. In this early period, it was very difficult to secure live performances, and the band had to produce their own shows, and promotion was limited to pasting up posters, but Vulcano persevered, and moved forward in 1984 to release the demo Devil on My Roof .
Vulcano released a live recording Live! in 1985 to gain exposure to a greater audience outside of their home city of Santos. Live! was recorded in August in the city of Americana, without any mixing, and with a lineup of Zhema on bass, Soto Junior on guitar, Zé Flávio in guitar, drums and Lauder Piloni Angel on vocals. This served as preparation for Vulcano to record the first Brazilian black metal album Bloody Vengeance in 1986. In the years following the band released Anthropophagy (1987) and Who Are the True (1988). Throughout this period, Vulcano got access to more and better production as the metal scene in Brazil grew further. However, after releasing their fifth album Rat Race in 1990, Vulcano stopped releasing new albums for several years. In this period of reflection the Vulcano still did some live shows, but the only official release from the band was a Cogumelo Records compilation from 2000 with a re-release of the song "Bloody Vengeance".
active until this date the teachers, VULCANO, continue to offer their music to those who follow metal in its purest form. do not forget to give your like and some comnetario that costs nothing, batteries follow us in the networks. ANCESTRAL CEREMONY.
Greetings brothers a good day in my Ecuador, to begin this sunny morning in the capital I will start with the Colombian brothers. colombia is a land, where not only the vallenato has progressed hahahaha, seriously speaking, Colombia is a land too hard to live the consumption of drugs, alcohol, daily deaths in the end make them a land full of hardness and this has made several boys and young people, take and choose to look for metal, an outlet for all this shit, that is why these lands have given birth to world-class bands, some recognized and others disappeared in time, but with a great legacy of medium, so this time brothers and sisters bring them to the teachers, together with parabellum, they are. REINCARNATION.
The story of REINCARNATION could easily summarize the past, present and future of Metal in Colombia. Founded in 1984 in Medellín, at a time when Extreme Metal was in its embryonic stage, REENCARNACIÓN combined elements of Punk, Hardcore and Metal in its original musical proposal in an amalgam known as "Ultra Metal", a term nebulous with what was called any band that played heavier than the Swiss HELLHAMMER or Swedes BATHORY, in the days when Metal did not suffer from the unnecessary labels and innumerable stylistic ramifications that plague this genre of Rock. Although similar bands existed at that time (PARABELLUM being the indisputable pioneers of that cavernous and wild sound), the advantage of REENCARNACIÓN over its congeners was that they recorded what they did. From the beginning of Victor in a band called PROPHECY in 1984, transforming into REINCARNATION in 1986, the reception of his first demo, "Dioses Muertos" of 1987, prompted them to get into a recording studio, with everything precarious that was in those days record rock in Colombia, without someone who even knew how to do it, with a shortage of techniques and equipment that, despite all the circumstances, would have an impact that has stood the test of time.
What of all that lived and experienced at that time, was what prompted him to make those first musical sketches with REINCARNATION? "Listen to PARABELLUM" and after a brief pause and a restrained laugh, he turns his head, gives me an inquisitive look, adding slyly, "Do I have to talk more?" And to contextualize the answer, he continues: "It marked me a lot. in the sense of Metal. At that time I had just entered PROFECÍA as a vocalist, and what I wrote as a finished song, which I considered my first song, was 'Reencarnación de la Luna'. That theme was recorded and, at that moment, I said 'This thing I'm doing is going to be called REINCARNATION'. But what gave me the strength to say 'This is what I want to do' was PARABELLUM. " «This thing I'm doing, it's going to be called REENCARNACIÓN» - Photo: Nayibe Bellesteros O.
«This thing I'm doing, it's going to be called REENCARNACIÓN» - Photo: Nayibe Bellesteros O.
Because if there is something that REENCARNACIÓN took further, it was that fury and viscerality recorded in its first acetate, and that "do it with the nails", where they could more desire than the technique
AS ALWAYS DO NOT FORGET TO VISIT OUR PAGE AND SUPPORT THE METAL. LONG LIFE BROTHERHOOD https://ancestralceremony2.wixsite.com/misitio https://www.youtube.com/watch?v=6Dri8yhQNck
Saludos hermanos un buen día en mi Ecuador, para empezar esta mañana de sol en la capital voy a empezar con los hermanos colombianos. colombia es una tierra, donde no solo ha progresado el vallenato jajajaja, hablando seriamente, Colombia es una tierra demasiado dura para vivir el consumo de droga ,el alcohol,las muertes diarias en fin las hacen una tierra llena de dureza y esto ha echo que varios chicos y jovenes , tomen y opten por buscar en el metal , una salida para toda esta mierda, es por eso que estas tierras han parido bandas de talla mundial , unas reconocidas y otras desaparecidas en el tiempo , pero con n gran legado de por medio, es así que esta vez hermanos y hermanas les traigo a los maestros, conjuntamente con parabellum, esllos son. REENCARNACIÓN.
la historia de REENCARNACIÓN podría fácilmente resumir el pasado, presente y futuro del Metal en Colombia. Fundada en 1984 en Medellín, en una época en la que el Metal Extremo estaba en su etapa embrionaria, REENCARNACIÓN combinó en su propuesta musical inicial elementos del Punk, el Hardcore y el Metal en una amalgama conocida entonces como “Ultra Metal”, un término nebuloso con el que se denominaba a cualquier banda que tocara más pesado que los suizos HELLHAMMER o los suecos BATHORY, en los días en los que el Metal no sufría de las innecesarias etiquetas e innumerables ramificaciones estilísticas que plagan este género del Rock. Aunque por entonces existían bandas similares (siendo PARABELLUM los indiscutibles pioneros de ese sonido cavernoso y salvaje) la ventaja de REENCARNACIÓN sobre sus congéneres fue que ellos sí grababan lo que hacían. Desde los comienzos de Víctor en una banda llamada PROFECÍA en 1984, transformándose en REENCARNACIÓN en 1986, la acogida de su primer demo, “Dioses Muertos” de 1987, les impulsó a meterse a un estudio de grabación, con todo lo precario que era en aquellos días grabar rock en Colombia, sin alguien que supiera siquiera cómo hacerlo, con una escasez de técnicas y equipos que, pese a todas las circunstancias, tendría un impacto que ha superado la prueba del tiempo.
¿Qué de todo lo que vivía y se experimentaba en ese tiempo, fue lo que lo impulsó a hacer esos primeros esbozos musicales con REENCARNACIÓN? “Escuchar a PARABELLUM” responde y después de una breve pausa y una risa contenida, voltea la cabeza, me dirige una mirada inquisitiva, agregando socarronamente, “¿Tengo que hablar más?” Y para contextualizar la respuesta, prosigue: “Me marcó mucho en el sentido del Metal. En esos momentos yo acababa de ingresar a PROFECÍA como vocalista, y lo que compuse como un tema ya terminado, que considero fue mi primer tema, fue ‘Reencarnación de la Luna’. Se grabó ese tema y, en ese momento, dije ‘Esto que estoy haciendo se va a llamar REENCARNACIÓN’. Pero lo que me dio la fuerza de decir ‘Esto es lo que yo quiero hacer’ fue PARABELLUM”. «Esto que estoy haciendo, se va a llamar REENCARNACIÓN» — Fotografía: Nayibe Bellesteros O.
«Esto que estoy haciendo, se va a llamar REENCARNACIÓN» — Fotografía: Nayibe Bellesteros O.
Porque si hay algo que REENCARNACIÓN llevó más allá, fue esa furia y visceralidad registrada en su primer acetato, y ese “hacerlo con las uñas”, donde podían más las ganas que la técnica
Now we go to the south of the map, to find us located in sunny lands, lust. Alcohol, and beauty in women, the land that saw the metal be a fortress, that even bands of the Norwegian circuit have said are influences for them, not gentlemen I do not speak of burial, or the great sarcophagus. I speak of the ULTRAMAESTROS PARABELLUM. FROM MEDELLIN COLOMBIA.
Thanks to the postal mail of the eighties and the poorly recorded demos, the primitive metal of Medellín was spread like a plague abroad. The raw and chaotic sound that could only come from a country consumed by war, impressed the European rockers who from the comfort of the first world tried to talk about a violence they did not know. The dirty and aggressive atmosphere of bands like Reencarnación and Parabellum formed a unique subgenre of heavy music, a missing link between heavy metal and extreme metal known as ultra metal. A sound created by young and empirical musicians who did not know what the hell they were doing and who, unintentionally, entered the purest circles of the eighties metal and with their songs made to the brave they influenced the parents of one of the most radical movements and Controversies of extreme music: Norwegian black metal.
Inspired by others like Black Sabbath, Judas Priest and Motorhead, during the eighties the bands that formed the different subgenres of metal were born. Groups like Metallica, Slayer, Venom, Possessed and Morbid Angel began to spread and create a series of new sounds, faster, darker and heavier than the heavy metal and hard rock that preceded them, which shaped the thrash, death and black metal. Something that adjusted very well to the marginal reality of many young people of Medellin who, inspired by these new movements, also put themselves on guard.
Between 1982 and 1987, bands like Mierda, Reencarnación, Astaroth and Sacrilegio began to form the Colombian underground metal scene, a move that started in a very intuitive way, with groups of young people who hardly knew how to hold their rustic instruments, some even made by facts same, and in the same humble areas of Medellin that would be the breeding ground for the bloodiest of the urban drug trafficking fronts. In this creole and primitive metal, these pelados found a way to vent the anger and frustration of growing up without a future in the bowels of a society that marginalized them.
Of all the groups of that time the most legendary are Reincarnation and Parabellum. Led by Víctor Raúl Jaramillo (Piolin), Reencarnación was one of the first Colombian metal bands that he was not afraid to experiment. This is demonstrated by songs such as 888 metal, to which they put a violin and a classical guitar, or in Funeral del norte where they mix thrash heavy parts with the chaos and speed of the grind. Although their first records were recorded in an artisanal way, they achieved a very coarse and heavy sound that showed that with crooked guitars you can make good metal
One of the bands that were the most listeners was the guys from Parabellum, a group of dark, dark and chaotic sound that, in some way, not only managed to predict the brutality and the anxiety that was to come in their city, but it became, due to its rebelliousness, marginality and honesty, in a reference obligatory for the Colombian metalheads, and in a cult band that even reached the ears of Øystein Aarseth, better known as Euronymous, extreme metal ideologist and leader of Mayhem, the most iconic band of the first Norwegian black metal band, as well that in the south there was something similar to Norway that was a bit more crude and that it would also be an influence for what would later become the world's dark metal. long life to BLACK METAL.
greetings brothers, again here, and this time to close the post of bands from the Middle East, although it is true has not been able to include several bands of the circle but it was to upload information of the most outstanding, I want to clarify that there is no no political, dogmatic or religious interest, our interest is to make known bands of the under circuit and bands that were and will be part of our influences as dark metal and its derivatives, thanks to you for your support and we hope that little by little you will lose the fear and can participate in this blog that is for you. we are going to include information from various bands from all corners of the world, so long life brothers and sisters are going strong. this time I leave to one of the best bands that gave birth to the Middle East, I talk about the great SALEM.
Salem, the first extreme metal band in Israel, was formed in 1985, under the name Axe Metal, and is thus one of the first bands in the worldwide underground metal scene to play brutal black metal. This can be heard in their self-titled rehearsal tape from 1986 and their live demo Destruction Till Death
from 1987, recorded at the legendary 'Penguin' club, the only outlet
for alternative music in Israel throughout the 1980s. This formula was
later perfected by bands such as Beherit and Blasphemy in the early 1990s.
Salem's music is a combination of doom/death metal (slow-paced death metal)
with oriental elements and high-pitched screaming-vocals (distorted
hoarse screams). Riffing, henceforth, can range from slow and heavy doom metal riffing to very fast and rapid death metal riffing. This sound evolved from Salem's original style (first two demos), which was old-school black metal. Salem's latest two studio albums are much heavier than their former LP's.
I hope you liked it, this was Metal from the East, stop by our page and tell us. ANCESTRAL CEREMONY Lord Agrakas.
in what refers to black metal in these lands of the Middle East, where religion and worship is more powerful than, freedom of expression, imagine what it would bring consequences, practice this music, if you do not condemn to death, there is no more options. I respect a lot to these bands that considering that they could die make music for the love of it. I share this band AZAMOTH. from the lands of the so-called messiah. do not forget to comment.
Greetings brothers, after a long holiday in my country, moria of wanting to return to the blog and although I do not hear from you, who are those who visit the blog because I extend a greeting from the middle of the World, good without further step share a bit of a band of the lands of a controversial man on the world level, I speak of Jesus, for the believers a savior, for others a charlatan, good for me the real black metal fights against all this crap of beliefs without offending anyone , I leave you with the masters of Jerusalem black metal, ARALLU black thrash metal powerful and devastating, some comments will be grateful that melo do arrive, greetings brotherhood good week
Band Members:
BUTCHERED Bass,Guitars, and all vocals.
GAL Pixel Guitars and backing vocals.
A ,Omri Y-Guitars.
KASSIMOV Drums and percussions.
beautiful is to talk about bands of the dark circuit, this band that I present to you is one of the best German bands, that started with a somewhat epic black metal, with orchestration and simphonic, and then change to a pagan folk style, well this is concept of every metalhead who listens to it, here I bring you a bit of the old guard.
ARATHORN.
personally I love this album, one of the best of its time.
take a look and do not forget to subscribe to the page of ancestral ceremony, other brothers let me know what part of the globe we visit, a greeting, a comment, a like jajajajajaja, we go without fear and let us grow more the world metal. As always do not forget to chekar the videos of ancestral ceremony on youtube and the wix page.
Es grato seguiR hablando de bandas del metal osbcuro esta ves , de las mismas tierras profanas de Oriente, biene la banda que por tiempo y trayectoria se ha ganado un puesto en la escena mundial.
Banda de Black Metal Sinfonico de Israel.
Creada en el 1994.
Temática de las letras: brujería, leyendas.
La música está basada en un antiguo concepto legendario creado por la banda.
Componentes actuales: Lord Koder - Voz Ariel - Guitarra Seelenfolter - Bajo Dimrost - Teclados Prof. Van-Helsing - Batería
Álbumes/Demos/EP's:
Ancient Hymms of Legends & Lore. Demo, 1996 Archives of an
Enchanted Phylosophy. Álbum, 1997 Unveil the Curtain of Sanity. EP, 2004
Nightmarish Compositions. Álbum,2004
NO OLVIDES SEGURINOS Y COMENTAR EN LA PAGINA OFICIAL DE
ANCESTRAL CEREMONY.
HAIL
REGARDS BROTHERS¡¡
It's nice to keep talking about bands of the dark metal this time, from the same profane lands of the East, there's the band that for time and trajectory has earned a place on the world stage.
I leave to the teachers of Bishop Of Hexen
https://www.youtube.com/watch?v=unF2nn2U-cA
(1994 - present)
Israel's Symphonic Black Metal band.
Created in 1994.
Theme of the letters: witchcraft, legends.
The music is based on an old legendary concept created by the band.
Current components: Lord Koder - Voice Ariel - Guitar Seelenfolter - Bass Dimrost - Keyboards Prof. Van-Helsing - Drums
Albums / Demos / EP's: Ancient Hymms of Legends & Lore. Demo, 1996 Archives of an Enchanted Phylosophy. Album, 1997 Unveil the Curtain of Sanity. EP, 2004 Nightmarish Compositions. Album, 2004
DO NOT FORGET SUCCESSFUL AND COMMENT ON THE OFFICIAL PAGE OF
Greetings brothers, the page of ANCESTRAL CEREMONY, is not only to talk about the band but also to make known and talk about the dark metal bands that are in the terrestrial globe, this time I bring you one of the most outstanding bands within what is spoken to Jerusalem, the great MALECHESH, batteries do not stop following the page, share it, and listen to our music, long life brothers. Lord Agrakas by. ANCESTRAL CEREMONY.
LOOK THIS SITE.
https://ancestralceremony2.wixsite.com/misitio
The name Melechesh consists of two Hebrew words, מלך (melech, "king") and אש (esh, "fire"), a combination that the group has originated. The ch is pronounced as the Spanish j, Scottish ch as in the word LOCH or the Dutch G (kh). The correct pronunciation in Spanish would be Melejesh. Another accepted and common pronunciation is MeleKesh. History
The group's 1995 release of the official As Jerusalem Burns demo ... and the seven-inch EP The Siege of Lachish attracted the attention of underground metal fans and local authorities. The group was accused of "Dark Worship activities" by the Jerusalem police authorities, especially for the cover of a newspaper that misrepresented some facts. The charges were eventually withdrawn.
In 1996, the band released their debut album As Jerusalem Burns ... Al'Intisar on an American black metal record label; then newly hired, bassist Al 'Hazred joined the group.
Due to various personal and professional reasons, the group members were forced to move to France and the Netherlands in 1998. Lord Curse stayed in Jerusalem and later moved to the United States to continue his studies of Art, which demanded that the group will hire a new drummer. The main man and drummer of Absu Proscriptor soon filled the vacant position. Since then, Melechesh has published two full-length albums: Djinn (2001), which deals with Mesopotamian mythology, and Sphynx (2003), which deals with Mesopotamian and Sumerian mythology, always keeping the black and Near East close to their hearts.
Recently, the group recorded their fourth album Emissaries that is available in Europe by Osmose Productions and in the United States and Canada by The End Records. Meanwhile Xul has replaced the Proscriptor as the group's full-time drummer. In addition, Proscriptor, while no longer in the group, plans to re-publish The Siege of Lachish on record label (Tarot Productions) also in 2007.
Siempre pensé, que en el único lugar donde verdaderamente deberían hablar o hacer música en contra de la maldita religión manipuladora, debería ser en jerusalem y todo lo que tiene que ver con el oriente, de donde se supone nace la mitólogia , y parte del critianismo.
es para mi un placer presentarles a esta banda .
AL- NAMROOD.
ES EL NOMBRE DE UN REY QUE GOBERNO,CON SANGRE LAS TIERRAS MESOPOTANIAS.
les invito a ver un poco de esta Banda, que esta genial.
Las bandas de black metal siempre han estado en contra de la
religión. Sin embargo, en los países donde la religión es en verdad
opresora, son pocas las bandas que siguen los pasos de Bathory, Mayhem y
Burzum. Quizá porque es mucho más fácil ser una banda de metal que
ataca al cristianismo en EU a ser una banda de metal que ataca al islam
en Arabia Saudita. En Occidente, lo peor que te puede pasar es escuchar a
tu mamá diciéndole a sus amigas que tu amor por el metal "es sólo una
etapa". En Arabia Saudita, te arriesgas al estigma social, a que te
metan a la cárcel o a que te ejecuten.
Por lo tanto, hay que darle crédito a Al-Namrood,
la única banda de black metal de Arabia Saudita, cuyas letras tocan
todos los temas prohibidos que se castigan con la pena de muerte. Hablé
con Mephisto, el guitarrista y bajista de la banda.
La portada de "Ana Al Tughian"
VICE: ¿Cómo nació Al-Namrood y qué significa su nombre?
Mephisto:
Tres hombres decidieron usar toda su agresión para crear música, para
crear black metal. Sobra decir que los conceptos del black metal
describen lo que estamos viviendo. La banda es una mezcla entre la
escala árabe, el black metal y letras en árabe. El punto era crear
música pegajosa y agresiva que cumpliera en el rango del metal extremo.
Al-Namrood es el nombre árabe del Rey Nimrod, el tirano que gobernó
Babilonia con sangre y desafió al señor del universo, según dicen los
dogmas de las religiones monoteístas. En nuestra opinión, Al-Namrood va a
la perfección con el mensaje que quiere dar la banda. [Al-Namrood se
traduce como "no creyente"]. ¿Por qué decidieron tomar una posición en contra de la religión estando en un país que cree con vehemencia en el Islam?
Estamos hartos de la religión. Todo tiene que ver con la religión. Me
da asco. Fui donde un loquero y me dijo que lo mejor que podía hacer era
expresar lo que sentía. Y eso hicimos, nos expresamos. ¿Qué mejor
motivo que vivir en un país donde todo gira en torno a la religión?
Aquí, las personas prácticamente no tienen derecho a hacer nada. Somos
propiedad de la Sharia (ley islámica). Todo lo que hacemos debe ser por
el bien del Islam y necesita la aprobación social. La religión y la
sociedad son nuestros tiranos. Los dos interactúan y se complementan el
uno al otro. ¿De qué forma?
Hay
mucha hipocresía y está comprobado que la población está de acuerdo con
el sistema islámico en la mayoría de los casos. Por ejemplo, en el
Islam, la música está prohibida pero la gente la escucha con la idea de
que "Dios perdona". Pero cuando se trata de libre albedrío, entonces
"Dios no perdona". Desde que naces, tu vida ya está decidida. Los niños
nacen para ser musulmanes, nunca se les da la oportunidad de elegir otra
religión. La educación está llena de prejuicios y se enfoca en el mundo
islámico. No se pueden tomar en cuenta otros puntos de vista. El único
punto de vista que se permite es el de la tradición reconocida y la
práctica religiosa aprobada. El libre albedrío es un crimen porque
"altera la paz". Ni siquiera puedes escoger con quién te quieres casar.
Tus padres escogen por ti. En nuestro país se acostumbra unir el enfoque
social con el enfoque religioso y nadie dice nada.
El video musical de la canción "Bat Al Tha ar Nar Muheja" ¿Cómo nació tu interés por este género? Me imagino que es difícil conseguir discos de black metal en Arabia Saudita...
Fue gradual. Empezamos escuchando lo básico del metal y poco a poco
fuimos escuchando cosas más extremas. Nos gustó el concepto del black
metal porque describe la brutalidad de la religión. Este contexto existe
en otros géneros, como el death metal, pero nos inclinamos más hacia el
black porque tiene muchos elementos del punk metal, cuya música y
conceptos son increíbles. Fuimos a algunos países vecinos a comprar
discos y los metimos a escondidas. También aprendimos del mundo exterior
con libros que unos amigos metieron de contrabando al país. Después, el
internet llegó a expandir aún más nuestro conocimiento. Leí
que nunca han usado sus nombres reales ni han publicado fotos suyas. Es
más, que ni siquiera sus familias saben que tienen una banda de metal.
Debe ser duro tener que hacer todo eso para mantener su identidad en
secreto.
Para nada. Estamos acostumbrados desde que
éramos niños. Me refiero a que siempre hemos tenido un punto de vista
diferente al resto de la sociedad y que nos dimos cuenta de que no
compartíamos su opinión. Algunos tratamos de encajar o de expresar lo
que pensábamos pero lo único que logramos fue que nos metieran a la
cárcel, por lo tanto, desde muy pequeños aprendimos a aislarnos de
nuestro entorno. Y cuando formamos nuestra banda, lo único que tuvimos
que hacer fue aplicar la misma metodología. ¿Por
qué crees hay tan pocas bandas que atacan al islam a pesar de que es
común que bandas de este género incluyan temas antirreligiosos en las
letras de sus canciones?
Simple y sencillamente
porque no lo han vivido. El cristianismo actual es pasivo. La iglesia no
controla a los países. La iglesia no se compara con el régimen
musulmán. En Europa es posible criticar a la iglesia porque hay libertad
de expresión, pero eso no existe en los países de Medio Oriente. El
sistema no lo permite. La autoridad del islam en el Medio Oriente es
mayor que en cualquier otro lugar. Toda política tiene que alinearse con
la Sharia, hoy, en 2015. Hace 400 años, se cometieron muchas
atrocidades en nombre de la iglesia y pasa lo mismo en esta época con el
islam. ¿Qué obstáculos enfrentan a la hora de grabar?
Las barreras son colosales. Es como vivir en una cueva y pedir que haya
electricidad. En los países musulmanes radicales, la música se
considera un crimen según la ley del islam. Vivimos aislados. Nuestra
identidad es un secreto, al igual que nuestros gustos musicales. Y
corremos aún más peligro si queremos hacerle publicidad a la banda. Pero
los obstáculos no son sólo en el ámbito social. Además aquí no hay
equipo musical decente y es difícil importarlo. ¿Alguna vez han tocado en vivo?
No, es imposible porque estaríamos violando la ley. Nos pueden condenar a muerte si hacemos un concierto.
Sus letras hablan sobre demonios y genios (o yinns) de la mitología mesopotámica. ¿En qué se inspiraron?
En la escuela nos enseñan que los árabes vivían en la oscuridad antes
de que llegara el islam a iluminar a la gente, pero para nosotros
resulta mucho más interesante el mundo antes del islam. También nos
gustan los cuentos árabes de la Edad Media, como Las mil y una noches. Dijiste que decidieron incorporar instrumentos regionales en las canciones. ¿Puedes hablarme un poco más sobre eso?
Claro. A veces, cuando componemos una canción, nos damos cuenta de que
en algunas partes quedaría bien usar un instrumento árabe, como un laúd o
un qanun. Lo difícil es saber cómo combinar el cuarto de tono (que se
utiliza en la música árabe) con la afinación de la guitarra. Una vez que
lo logramos, lo demás llega solo. No somos expertos en producción
musical. Solo hacemos música agradable para nuestros oídos. Algunas
partes salen de forma natural y otras necesitan que las revisemos y las
trabajemos. ¿Crees que algún día exista una escena de black metal en Arabia Saudita?
A juzgar por el rumbo que está tomando el país, diría que faltan al menos otros mil años. Gracias, Mephisto. Sigue a Al-Namrood en su página de Facebook.
tomado de una página, de la red. agradecimiento a NICK CHEESTER.
no olvides escucharnos y seguirno ANCESTRAL CEREMONY. https://soundcloud.com/user-489446207/i-am-the-black-wizard-tributo-emperor-band
DO NOT FORGET TO LISTEN TO US AND FOLLOW US. HAIL..... Lord Agrakas Quito -Ecuador.
Greetings from Ecuador - creating Black Metal in the old vein, and doing what Black Metal voino do in this rotten world, spit in the face to the damn religion. cheka our Band and our proposal, brotherly hugs. https://youtu.be/Ie6uQNOtfJ0
